
Brigitte Bardot in Her Mustang – A one-off cinematic portrait in sepia and turquoise light, painted by Peter Engels during his workation in Saint-Tropez.
ArtistPeter EngelsMediumAcrylic on canvasSize (W x H) 120 x 100 cmPriceart@peterengels.eu
A moment of mystery. A dash of mischief. A muse in motion.
In Brigitte Bardot in Her Mustang, acclaimed portrait artist Peter Engels captures an imagined yet utterly believable scene of youthful rebellion and timeless allure. Painted during his creative workation in Saint-Tropez—the very place Bardot calls home—this 120 × 100 cm one-off artwork is steeped in cinematic nostalgia, sensual texture, and subtle storytelling.
Bardot is seated behind the wheel of a 1966 Ford Mustang, a car iconic in its own right—and in this case, modeled after Engels’ very own. She leans against the steering wheel with effortless confidence, wearing a black leather biker vest over a low-cut white top, her legs visible beneath a mini skirt. A glance over her shoulder, a lower lip softly bitten, and we’re drawn into a story left deliberately untold.
Did she take the Mustang for a joyride? Did something unexpected happen? The small mysteries in her expression are part of the painting’s irresistible tension. The lighting is masterfully layered: copper oxide tones glow in the background, while a turquoise-green light falls across her face, hair, and the Mustang’s interior—casting the scene in a glow of retro allure.
Painted with Engels’ signature palette knife technique on Brussels cotton canvas, the portrait is bold, textured, and emotionally alive. His sepia-inspired tones, combined with his use of light and shadow, give the work its sense of drama—while never losing sight of Bardot’s radiant, mischievous energy.
More than a portrait, this is a fictional freeze-frame—a still from a film that never existed, imagined entirely by the artist. It reflects Engels’ fascination not just with celebrity, but with the spontaneous, imperfect, and human moments behind the legend.
For collectors, this is Peter Engels at his finest: blending iconography, motion, and mood into a one-off painting that’s as desirable as the Mustang itself.